Art and Celebrity Dissertation Example | Topics and Well Written Essays - 6250 words

Art and Celebrity - Dissertation Example In terms of art, fame is often considered a double-edged sword, mostly because of the price attached to it and its impact on the artist in terms of his work. This essay shall discuss the impact of fame on celebrity and on art and the artist. This analysis will evaluate both the negative and the positive effects of fame on art, seeking to understand how artists have gained fame throughout their career and how such fame has changed them and their art. This essay is being carried out in order to help establish a clear and thorough understanding of art and fame, and their relationship with each other. Main body Fame, in this context is interchangeably associated with celebrity. Both refer to the general attention which an individual, an object, or a place gains from the general public (Conrad, 2012). Fame is derived from the word famous which often refers to popularity; while celebrity is associated with celebration, or how one person is celebrated by the general population (Conrad, 2012 ). Art takes on various forms of expression, including the performance, visual, and musical art. In association with each other, as a piece of art gains attention for its brilliance, fame or celebrity is often attributed to the artwork and the artist. Such celebrity and fame is however also attributed to different activities, even non-artistic activities (Conrad, 2012). Under these conditions, reality shows gain their celebrity and fame. The reasons for their fame are founded on their outrageous behaviour, their clothes, their controversial lives, their controversial or unusual jobs, and the fact that they are rich (Gibson, 2012). Celebrities are famous due to their prominent profile and such prominence often makes them a significant source of fascination for the media. They also often have a high degree of popular appeal as well as prominence in certain fields making them easily recognizable by the public (Gibson, 2012). For purposes of this paper, the associations shall focus on v isual art (painters) and fame or celebrity. In the general sense, it is crucial to evaluate how fame is felt by a celebrity over time. Based on the temporality, a progressive design is apparent in terms of fame being experienced in various phases (Rockwell and Giles, 2009). First, a phase of love/hate; second, the addiction phase with behaviour being geared towards more fame; third, the acceptance phase calling for more permanent changes in daily life activities; and finally, the adaptation phase where new attitudes and activities are established to secure life changes essential to one’s fame (Rockwell and Giles, 2009). The love/hate relationship is secured with participants wanting to ensure effective ways of adjusting to fame. Initially, becoming famous requires significant stoking of the ego. The newly famous are often warmly accepted by the people (Rockwell and Giles, 2009). There is often a guilty thrill seen in being admired, with participants wanting the attention and adoration even as they also analyse the good feelings they get from their fame experience. They love some parts of it, but also hate other aspects of their fame (Adler and Adler, 1989). The love/hate period is often followed by the addiction phase. When one is adored by the public, people often find it difficult to live without such fame. Some actually find their ‘high’ on such fame and adoration (Rockwell and Gil